Grayson Perry, The Tomb of the Unknown Craftsman, British Museum

Grayson Perry (or should I say Claire) is an artist, a big character and now a celebrity; he has always intrigued me. When I worked at England & co gallery, I helped organise an exhibition of his work from his time as a Neo-Naturist, an eccentric group of artists who assembled in the late 70s. Meeting him, as Claire, at the private view was exciting but less over-the-top than I imagined... he was just an ordinary albeit very talented guy with an unusual alter ego.

Interestingly, his current show at the British Museum, The Tomb of the Unknown Craftsman, shows the more discreet, human side of Grayson's character. A very personal and insightful collection of works old and new, he has selected pieces from the British Museum’s collection that illustrate or echo his beliefs and artistic obsessions and has created his own works to be displayed alongside the artefacts.

The ceramics dominate and for me have always been his most impressive work - giant colourful vases and primitive but highly decorative plates. His amazing imaginary world is explored better here than ever before. The exhibition begins and ends with epic 'sculptures', on entering we witness the 'Kenilworth AM1' motorcycle, a psychedelic vehicle created as a mobile homage for his beloved teddy, Alan Measles. As a conclusion Perry exhibits a huge cast iron boat with relics hanging meaningfully all over.

The most wonderful thing about this collection is hearing Grayson Perry's thoughts and memories. Many of his quotes are witty, insightful and resonate deeply - he speaks frankly and genuinely, leading us systematically through his work and the decisions he made curating the show.

As a lovely afterthought, we whizzed round the exhibition of German Romantic prints and drawings - a collection of subtle, beautifully detailed works, a quiet contrast to Grayson Perry's world.

Grayson Perry's show continues until 19 February 2012, more info and booking here.

Gilgamesh Restaurant in Camden Town

Gilgamesh is one hell of an experience. As you approach it in edgy Camden Town it looks almost like a temple... glowing against a dark backdrop. After ascending a tall escalator you see that the interior is even more impressive.

Gilgamesh advertises itself as a restaurant, bar and Babylon lounge, although I would say it is almost a club as well. It is a glorious relief from the chaos of the Camden Town markets that surround it.

I have read mixed reviews about Gilgamesh, though few can deny its amazing presence. Many visitors complain that the service is poor; I found quite the opposite to be true and was treated like royalty. Our group visited the bar area first, and joined the buzzing crowds. Luckily the massive space is able to accommodate everyone and we managed to find a table easily. I was treated to a relaxing massage by wandering masseurs; it was so calming I almost fell asleep.

It was 11 o’clock when we dragged our weary bodies to our grand table and received complementary glasses of Champagne from the lovely Gilgamesh girls. The food is good, although pricey. It’s worth watching out for deals on the internet, we got a great set menu deal on Top Table. We shared a variety of veggie and meat dishes between us – the duck and watermelon salad was palate-intriguing but my favourite was the creamy Thai vegetable curry, even though it was a little too spicy for me. After a long and lively supper we were invited to the VIP area to dance and continue our night.

We exited by the awe inspiring staircase - as you descend you follow the intricate hand-carved ‘Tree of Life’, a magnificent work inspired by the friezes at The British Museum. Back on the streets of Camden I reflected on the glittering palace I had just visited.