Sienna Miller in Flare Path at Theatre Royal Haymarket

Trevor Nunn’s new production of ‘Flare Path’ at the Theatre Royal Haymarket is delightfully warming and optimistic. This play, rarely considered to be one of Terence Rattigan’s best, is moving and funny in equal measure.

The story takes place in a shabby hotel lounge reception, in the autumn of 1941 in the middle of World War II. The establishment accommodates RAF pilots and crews before and after their dangerous bombing missions, with the poor waiting wives in tow. As the men go out on a mission, there is a personal battle in the hotel as Hollywood star Peter Kyle comes to claim his great love, Patricia, a newly wedded woman with whom he has previously had a tumultuous affair. She has to decide who needs her more: the aging actor who is quickly losing his fame, or her outwardly brave and cheerful husband who confides in her that he is secretly terrified and crumbling under the pressure of his horrific job.

Sienna Miller is sure to be the box office pull for this play. Her natural beauty and allure is perfect for the part of the glamorous actress Patricia Warren, and paired with a suitably strained characterisation, she convincingly plays the role of the girl with a perplexing moral dilemma. She seems eager to please the spectators, though occasionally is a little too cautious, and could perhaps risk more power and passion.

Flare Path is an ensemble effort, with an exceptionally strong cast. The outstanding star for me is Sheridan Smith, the girl who made Legally Blonde such a hit at the Savoy. A former barmaid, she finds herself a Polish countess after marrying the Flying Officer Count Skriczevinsky (Johnny). Her chirpy demeanour and cute bubbly character entertains all at the hotel and indeed the audience too, but when her beloved husband is reported to be missing-in-action she is catapulted into grave despair. The depth of character she portrays is quite astounding and beautiful to watch; this is especially evident when a letter is translated for her telling of Johnny’s adoration for her. Her bravery and charm is quite heartbreaking and I’m sure I wasn’t alone in shedding a tear.

Harry Hadden-Paton excels too as scared Flight Lieutenant Graham (Teddy) and husband to Patricia. He is excitable and energetic and yet hides many of his feelings much like a teenage boy. Hadden-Paton manages the tricky balance between playing the role of a leader ( of the men in his squadron) and being desperately in need of care himself (eventually a job fulfilled by his wife). Of the supporting roles, I was stunned by my friend Matt Tennyson who I was thrilled to see taking the part of young waiter, Percy. So convincing was he that I only noticed it was him one hour in! Dashing about, he acted wonderfully amongst the cast of established stars fitting right in.

Despite sitting way up in the cheap seats, spending three hours straining my poor back, I absolutely loved every minute of Flare Path. This sublime production captured my heart and left me wanting more - another resounding success for the King of Theatre, Sir Trevor Nunn.

Flare Path continues until 4 June, book here.

Birdsong The Play at The Comedy Theatre

The Comedy Theatre introduces Birdsong, Sebastian Faulks' harrowing novel adapted for the stage. This play has a star line-up, that aside from Faulks boasts the director Trevor Nunn, and many wonderful actors.

The story follows a young man’s journey through a great love and a great war. The play is split into three sections, the later parts more convincing than the first. The long opening section concentrates on the young Englishman Stephen Wraysford as he visits Amiens and falls in love with a married woman, played by the rather stiff Genevieve O’Reilly.

After the interval Birdsong shows the vile horror of World War I, like I have never seen it portrayed before. Every aspect of the painful anguish and devastation is realised through haunting acting and clever dramatics. The stage is impressively constructed to show the claustrobic tunnels and trenches, and smoke effects create further atmosphere. Just before the interval a great clash and cloud of smoke or powder wafts over the audience, an incredible sensation and evocative transition to mark the start of the war.

I loved watching Lee Ross who plays one of the central characters, Jack Firebrace. The kindness and bravery of this character within the turmoil of war gives the story real strength and substance, and Ross’s characterisation reflects this with a touching morality. He plays the part directly with no fuss, when he learns of his young son’s death from diphtheria he avoids sentimentality but somehow provokes great sadness in the audience, it is truly touching.

I left feeling moved and educated, and now would like to read the original book.

Book tickets here.